Post-production workflows are getting more precise as users share their experiences but there is still room for improvement in this regard. I have to bite the bait ;-. If you are going to create a product with a retro design, the first thing that is always appreciated is consistency. Lenses are not included with the camera. With the cold shoe mount on the side, that would also be the perfect location for an electronic viewfinder as a better monitoring option as well. ISO options are somewhat limited but there is a lot to dig into the shadows and the grain is very pleasing also cleans very well in post , so this is no see-in-the-dark camera but it’s still surprisingly good in low-light when paired with fast glass. Include that as standard, and I might be tempted, myself. By using this site, you agree to the Terms of Use and Privacy Policy.

You can shoot at You also can press the Enter button to zoom in the video to percent and move the zoomed in section around to help with focusing. They built a movie camera. Digital Bolex has done a fantastic job with this and everything from the exterior design of the D16 to the packaging and marketing material on the Digital Bolex website has a cool, hip vibe that attracts the eye. The caveat I would give to potential buyers is that you expect this to be the sort of camera where you can just turn it on and get sharp perfectly exposed footage you’re in for a shock. The problem for me is in several areas. Update Unrecognized Zip Code. Post-production workflows are getting more precise as users share their experiences but there is still room for improvement in this regard.

Fortunately, the audio interface captures clean, bit 96kHz audio, which sounded good from our small shotgun mic.

This is done to keep the camera’s weight down, while providing a secure environment limiting the potential digitsl failure during use. There were a few settings for the LCD monitor that we wanted clarification on, so we visited the website to look for the full user manual.

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And this was not the first nonstarter. Not only do CCD sensors yield a more filmic look, but the main selling point over their CMOS cousins is the fact that they inherently do not suffer from rolling idgital effects, or jello as it’s commonly known, because the entire imager is energized at once to produce a picture as film is exposedinstead of being scanned like CMOS chips. My hats off to the Digital Bolex team.

It looks so filmic even when its pushed to its limits. With the cold shoe mount on the side, that would also be the perfect location for an electronic viewfinder as a better monitoring option as well. The classic Bolex shape of the body makes it easy to rig for.

In addition to its raw capabilities, the camera is camra for its Super 16mm sized sensor, [20] allowing the usage of vintage 16mm lenses [22] with no crop, and its unique crank wheel encoder. The camera features three resolution options, x in Super16 mode, x in Super16 European mode, and x in 16mm mode, recording to Cinema DNG files with bit color depth.

Any look is possible. Your YouTube channel is thrilling.

Digital Bolex D16 MFT Mount Cinema Camera with Built-In 1TB

Transferring Footage You can transfer the files from the camera’s internal SSD to CF cards, or you can connect the cinma to a computer and transfer files directly over the USB connection.

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The BlackMagics kind of decimated the market for it. The best audio and video recorders. Do you remember “Ikonoskop”?

Film purists, don’t miss out on using this camera.

Digital Bolex D16 Cinema Camera

Rest in peace, sweet Bolex. The D16M is one of a few dedicated monochromatic cinema cameras developed in the last few years.

They tried, and they failed. Dan, as a hat collector I understand that you probably don’t know what it takes to produce a feature film from scratch.

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Now that would be a useful all around kind of camera. One small point of contention with using the D16 is that you must discover some things on your own as the documentation that is provided is very limited.

Audio is captured via dual 3-pin XLR connectors with phantom power for powering microphones from the camera when needed. The closest appearance to camerz for the price without the awful digital shutter lag. The problem for me is in several areas. Best of luck to them on their next conquest. See v16 errors on this page? Currently, using Resolve seems to be the easiest way, although you can also work with LightPost, the Mac only software companion that comes bundled with the D Actually, I even threw a c-mount Nippon and a cheap EF to c-mount adapter on a Nikkon lens and they looked great too.

The camera’s LCD screen can be found on the camera’s top between the accessory shoe mount and the menu navigation buttons. Everything from the form factor to the sensor choice comes together to create an unusual blend of the old and the new, providing an opportunity for those willing to work with something that is a little different than what the mainstream camcorder market is offering.

Digital Bolex – Wikipedia

This is done to keep the camera’s weight down, while providing a secure environment limiting the potential for failure during use. Red Shark News Press release.

If production costs rise, do you raise prices? Our test footage from the D16M had a smooth, pure quality that looks much more satisfying than desaturated color footage, and the image is very clear of digital noise.